{"id":1329,"date":"2005-07-27T00:00:00","date_gmt":"1999-11-30T07:00:00","guid":{"rendered":"http:\/\/imagecoffee.net\/?p=1329"},"modified":"2005-07-27T00:00:00","modified_gmt":"1999-11-30T07:00:00","slug":"rosalind-krauss-a-note-on-photography-and-the-simulacral-part-i","status":"publish","type":"post","link":"https:\/\/imagecoffee.net\/?p=1329","title":{"rendered":"Rosalind Krauss, \u201cA Note on Photography and the Simulacral\u201d (Part I)"},"content":{"rendered":"<p><a href='http:\/\/www.amazon.com\/exec\/obidos\/redirect?path=ASIN\/0941920143&#038;link_code=as2&#038;camp=1789&#038;tag=developingima-20&#038;creative=9325' target='_blank'><img src='\/summaries\/images\/050727.jpg' \/><\/a><br \/><span class=\"e8\">Carol Square(ed), <em>The Critical Image: Essay on Contemporary Photography<\/em>, Seattle: Bay Press, 1990. <\/span><br \/> \u4e00\u74e2\u98f2\u6309 \uff1a\u672c\u7bc7\u6587\u7ae0\u662f\u95dc\u65bc\u651d\u5f71\u5f71\u50cf\u8207\u8996\u89ba\u6587\u5316\u7814\u7a76\u7684\u91cd\u8981\u5165\u9580 \u53c3\u8003\u8cc7\u6599\u3002 \u85c9\u7531\u9019\u7bc7\u5177\u6709\u6307\u6a19\u610f\u7fa9\u7684\u6587\u7ae0\u958b\u59cb\u3008<a href=\"http:\/\/imagecoffee.net\/summaries\">\u6620\u50cf\u66f8\u9f4b<\/a>\u3009\u9019\u500b\u55ae\u5143\u7684\u8a2d\u7acb\uff0c\u4e26\u671f\u5f85\u80fd\u5c07\u66f8\u4e2d\u91cd\u9ede\u548c\u5927\u5bb6\u5206\u4eab\u3002\u4f46\u6709\u9452\u65bc\u6587\u7ae0\u7684\u5b8c\u6574\u6027\u8207\u7ffb\u8b6f\u4e0a\u7684\u554f\u984c\uff0c\u9084\u662f\u5efa\u8b70\u6709\u8208\u8da3\u7684\u8b80\u8005\u8a73\u7d30\u95b1\u8b80\u539f\u6587\u7ae0\uff0c\u4ee5\u514d\u9020\u6210\u65b7\u7ae0\u53d6\u7fa9\u7684\u72c0\u6cc1\u3002\u5728\u6587\u7ae0\u6458\u8981\u7d50\u675f\u5f8c\u4e00\u74e2\u98f2\u4e5f\u6703\u63a8\u85a6\u4e00\u4e9b\u76f8\u95dc\u53c3\u8003\u66f8\u76ee\u4f9b\u5927\u5bb6\u5ef6\u4f38\u95b1\u8b80\u3002<\/p>\n<table width=\"100%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tr>\n<td height=\"3\"><img loading=\"lazy\" decoding=\"async\" src=\"\/images\/da.gif\" width=\"1\" height=\"1\"><\/td>\n<\/tr>\n<tr>\n<td height=\"1\" background=\"\/images\/daww.gif\"><img loading=\"lazy\" decoding=\"async\" src=\"\/images\/da.gif\" width=\"1\" height=\"1\"><\/td>\n<\/tr>\n<tr>\n<td height=\"3\"><img loading=\"lazy\" decoding=\"async\" src=\"\/images\/da.gif\" width=\"1\" height=\"1\"><\/td>\n<\/tr>\n<\/table>\n<p>Rosalind Krauss, \u201cA Note on Photography and the Simulacral\u201d in<em> The Critical Image<\/em>, Seattle: Bay Press, 1990, pp. 15-21.<br \/>\u7f85\u838e\u7433\u5fb7\u2027\u514b\u52de\u65af\uff0c\u3008\u8ad6\u651d\u5f71\u8207\u64ec\u771f\u7684\u7b46\u8a18\u3009\uff0c\u300a\u95dc\u9375\u5f71\u50cf\u300b\uff0c\u980115-21\u3002<\/p>\n<p>1. 1983\u5e74\u6cd5\u570b\u96fb\u8996\u4e0a\u7531Agnes Varda\u69cb\u60f3\u57f7\u5c0e\u7684\u7bc0\u76ee\uff1aune minute puor une image,\u9019\u4e00\u5206\u9418\u7684\u7bc0\u76ee\u7531\u4e00\u5f35\u55ae\u5e45\u5f71\u50cf,\u548c\u65c1\u767d(\u8a0e\u8ad6)\u6240\u69cb\u6210\u3002\u9019\u4e9b\u76f8\u7247\u7684\u53cd\u61c9\u4f86\u6e90\u8b8a\u5316\u76f8\u7576\u5de8\u5927\uff0d\u5f9e\u651d\u5f71\u5bb6\u4ed6\u5011\u81ea\u5df1\u5230\u4f5c\u5bb6\u5982Eugene Ionesco\u548cMarguerite Duras\uff0c\u6216\u653f\u6cbb\u4eba\u7269\u5982Daniel Cohn-Bendit\uff0c\u6216\u85dd\u8a55\u5bb6\u5982Pierre Schneider\u5230\u4e00\u500b\u7bc4\u570d\u7684\u7b54\u8986\u8005\uff0c\u6211\u5011\u53ef\u4ee5\u5c07\u4ed6\u5011\u7a31\u70ba\u8857\u982d\u4e2d\u7684\u4eba\u5011\uff1a\u9eb5\u5305\u5e2b\u5085\u3001\u8a08\u7a0b\u8eca\u53f8\u6a5f\u3001\u62ab\u85a9\u5e97\u7684\u5de5\u4eba\u4ee5\u53ca\u751f\u610f\u4eba\u3002(P.15)<\/p>\n<p>2. \u9019\u4e9b\u95dc\u65bc\u5f71\u50cf\u7684\u56de\u61c9\uff1a<\/p>\n<blockquote class=\"ce10\"><p>    A. \u6536\u96c6\u7684\u89c0\u8005\uff0c\u5305\u62ec\u5c0d\u651d\u5f71\u548c\u85dd\u8853\u7684\u975e\u5c08\u696d\u4eba\u58eb\uff0c\u5c31\u5916\u5728\u800c\u8a00\uff0c\u651d\u5f71\u662f\u5927\u773e\u53cd\u61c9\u7684\u8868\u73fe\u7684\u4e00\u7a2e\u8f09\u9ad4\u3002<br \/>B. \u9019\u5c31\u6280\u8853\u800c\u8a00\uff0c\u662f\u4f86\u81ea\u6cd5\u570b\u5c07\u793e\u6703\u5b78\u7684\u65b9\u6cd5\u4f7f\u7528\u4f86\u7406\u89e3\u651d\u5f71\u7684\u4e00\u7a2e\u5ef6\u7e8c(\u4e0d\u8ad6\u662f\u5168\u7403\u8207\u5426)\u3002<br \/>C. \u5177\u9ad4\u4ee3\u8868\u5c31\u662f\u6cd5\u570b\u793e\u6703\u5b78\u5bb6\u5e03\u723e\u8fea\u5384(Pierre Bourdieu)\u7684\u7814\u7a76<a href=\"http:\/\/www.amazon.com\/exec\/obidos\/redirect?path=ASIN\/2707300292&#038;link_code=as2&#038;camp=1789&#038;tag=developingima-20&#038;creative=9325\" target=\"_blank\">Un Art Moyen<\/a>\u3002Moyen(middle)\u5728\u9019\u610f\u5473\u8457\u559a\u8d77\u7f8e\u5b78\u5728\u597d\u58de\u9593\u7684\u4e2d\u5eb8\u5c3a\u5ea6\uff0c\u5728\u7cbe\u7dfb\u85dd\u8853\u8207\u5927\u773e\u6587\u5316\u7684\u4e2d\u5eb8\u4e4b\u9053\u3002<br \/>D. Moyen\u7684\u4f7f\u7528\uff0c\u4f3c\u4e4e\u559a\u8d77\u4e2d\u7522\u968e\u7d1a\u5728\u5206\u914d\u8207\u7d71\u8a08\u4e0a\u7684\u4e2d\u7b49\uff0c\u9019\u7a2e\u793e\u6703\u5b78\u7dad\u5ea6\u3002(P.15)    <\/p>\n<\/blockquote>\n<p class=\"ce10\">3. \u5728\u5e03\u723e\u8fea\u5384\u7684\u8ad6\u6587\u4e2d\uff0c\u651d\u5f71\u7684\u8a00\u8aaa(discourse)\u5728\u7f8e\u5b78\u4e0a\u6c38\u7121\u7cbe\u78ba\u7684\u5c3a\u5ea6\uff0c\u4e5f\u5c31\u662f\u6c92\u6709\u5b83\u81ea\u5df1\u7f8e\u5b78\u4e0a\u7684\u6b63\u78ba\u6e96\u5247\u3002\u4e8b\u5be6\u4e0a\uff0c\u6700\u5e38\u898b\u5c0d\u651d\u5f71\u7684\u5224\u65b7\u4e26\u975e\u95dc\u65bc\u50f9\u503c\u800c\u662f\u95dc\u65bc\u8a8d\u540c\u3002(P.18)<\/p>\n<p><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/redirect?path=ASIN\/2707300292&amp;link_code=as2&amp;camp=1789&amp;tag=developingima-20&amp;creative=9325\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"\/summaries\/images\/2707300292.01._AA_SCMZZZZZZZ_.jpg\" width=\"85\" height=\"140\" border=\"0\" align=\"right\"><\/a> 4. \u7576\u7136\uff0c\u5728\u985e\u578b\u4e0a\u5c0d\u651d\u5f71\u4f5c\u54c1\u518d\u73fe\u5ba2\u9ad4\u4e0a\u7684\u5224\u65b7<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=developingima-20&amp;l=as2&amp;o=1&amp;a=2707300292\" width=\"1\" height=\"1\" border=\"0\" alt=\"\" style=\"border:none !important; margin:0px !important;\" \/>\u662f\u5b8c\u5168\u900f\u660e\u7684\u3002\u5982\u679c\u67d0\u5f35\u4f5c\u54c1\u5c6c\u65bc\u300c\u98a8\u666f\u300d\u6216\u300c\u8096\u50cf\u300d\uff0c\u662f\u56e0\u70ba\u95b1\u8b80\u5b83\u7684\u5167\u5bb9\u5141\u8a31\u6211\u5011\u8a8d\u8b58\u4e26\u6b78\u985e\u65bc\u67d0\u7a2e\u985e\u578b\u3002\u4f9d\u64da\u5e03\u723e\u8fea\u5384\u7684\u8a55\u4f30\uff0c\u651d\u5f71\u7684\u5be6\u8e10\uff0d\u662f\u88ab\u90a3\u4e9b\u9673\u898f(stereotype)\u6240\u7ba1\u7406\u652f\u914d\u3002(P.19)<\/p>\n<p>5. \u651d\u5f71\u7684\u7d93\u9a57\u662f\u6839\u64da\u90a3\u4e9b\u9673\u898f\u7684\uff0d\u88ab\u652f\u6301\u7684\uff0c\u5c31\u7b97\u662f\u4e2d\u4e0b\u968e\u5c64\u8207\u4e26\u672a\u63a5\u53d7\u826f\u597d\u6559\u80b2\u7684\u968e\u5c64\u90fd\u6beb\u4e0d\u4f8b\u5916\uff0c\u4e26\u4e14\u4e0d\u8ad6\u662f\u5728\u57ce\u5e02\u6216\u662f\u9109\u4e0b\u3002\u5e03\u723e\u8fea\u5384\u7684\u7814\u7a76\u6700\u521d\u4f86\u81ea\u554f\uff1a\u70ba\u4ec0\u9ebc\u651d\u5f71\u5982\u6b64\u795e\u5947\u5730\u6d89\u5165\u6211\u5011\u7684\u6587\u5316\u4e26\u662f\u5206\u5e03\u751a\u5ee3\u7684\u4e00\u500b\u5be6\u8e10\uff1f\u7b54\u6848\u662f\uff1aart moyen\u3002(P.19)<\/p>\n<p>6. \u651d\u5f71\u7684\u51dd\u805a\u529b\uff1a\u5e03\u723e\u8fea\u5384\u8a8d\u70ba\u651d\u5f71\u5b83\u81ea\u5df1\uff0c\u901a\u5e38\u662f\u4e00\u500b\u7fa4\u9ad4\u88fd\u9020\u4ed6\u5011\u81ea\u5df1\u7684\u7d50\u5408\u72c0\u614b\u7684\u5f71\u50cf\u7684\u518d\u751f\u7522\u3002<\/p>\n<p>7. \u5f9e\u9019\u500b\u7d50\u8ad6\u4f86\u770b\uff0c\u5e03\u723e\u8fea\u5384\u5c0d\u651d\u5f71\u7684\u5ba2\u89c0\u6027\u4fe1\u4ef0\u81ea\u7136\u8d70\u5411\u4e0d\u4fe1\u4efb\u3002\u5982\u679c\u651d\u5f71\u7684\u5716\u50cf\u662f\u88ab\u770b\u505a\u5ba2\u89c0\u7684\uff0c\u6307\u5b9a(designation)\u5247\u767c\u751f\u65bc\u5168\u7136\u91cd\u8907\u8207\u9593\u63a5\u7684\u72c0\u614b\uff1a\u793e\u6703\u4e0a\u53bb\u5b9a\u7fa9\u67d0\u4ef6\u4e8b\u60c5\u662f\u4e8b\u5be6\u7684\u9700\u6c42\uff0c\u5c0e\u81f4\u5f37\u8feb\u5728\u88ab\u88fd\u9020\u7684\u7d00\u9304\u4e0a\u7684\u5168\u7136\u5ba2\u89c0\u7684\u771f\u5be6\u6027\u3002\u5e03\u723e\u8fea\u5384\u8aaa\uff1a\u300c\u5c31\u651d\u5f71\u9019\u5177\u6709\u5beb\u5be6\u4e3b\u7fa9\u7684\u8a31\u53ef\u8b49\uff0c\u793e\u6703\u53ea\u6709\u5728\u91cd\u8907\u7684\u78ba\u5be6(certainty)\u4e2d\u53bb\u78ba\u8a8d\u5b83\u5011\u81ea\u5df1\uff0c\u4e00\u500b\u771f\u5be6\u6027\u7684\u5f71\u50cf\u7b26\u5408\u4ed6\u5011\u81ea\u5df1\u5ba2\u89c0\u6027\u5730\u518d\u73fe\uff0c\u624d\u662f\u771f\u5be6\u5730\u5ba2\u89c0\u3002\u300d(P.19)<\/p>\n<p>\u5f85\u7e8c<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Carol Square(ed), The Critical Image: Essay on Contempo&#8230; <\/p>\n<div class=\"link-more\"><a href=\"https:\/\/imagecoffee.net\/?p=1329\">\u95b1\u8b80\u66f4\u591a<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[9],"tags":[],"class_list":["post-1329","post","type-post","status-publish","format-standard","hentry","category-9","has-post-thumbnail","fallback-thumbnail"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.10 - aioseo.com -->\n\t<meta name=\"description\" content=\"Carol Square(ed), The 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