\u585e\u4e07\u63d0\u65af\u5b66\u9662<\/a>\uff08\u897f\u73ed\u7259\u6587\u5316\u4e2d\u5fc3\uff09 <\/p>\n\u4eca\u5e74\u662f\u58a8\u897f\u54e5\u72ec\u7acb\u6218\u4e89\u80dc\u5229\u4e8c\u767e\u5468\u5e74\uff0c\u4e09\u6708\u58a8\u897f\u54e5\u9a7b\u534e\u4f7f\u9986\u5c06\u4e0e\u5317\u4eac\u585e\u4e07\u63d0\u65af\u5b66\u9662\u5408\u4f5c\u4e3a\u5927\u5bb6\u5e26\u6765TINA MODOTTI\u7684\u6444\u5f71\u5c55\u3002<\/p>\n
TINA MODOTTI: UNA NUEVA MIRADA
\u8482\u5a1c\u00b7\u83ab\u591a\u63d0\uff1a\u4e00\u9053\u65b0\u89c6\u7ebf
(Udine 1896- Ciudad de M\u00e9xico 1942)
\uff08\u4e4c\u8fea\u51851896–\u58a8\u897f\u54e5\u57ce 1942\uff09<\/p>\n
Tina Modotti: una nueva mirada, selecci\u00f3n de sus m\u00e1s hermosas fotograf\u00edas tomadas entre 1923 y 1927, nos coloca ante im\u00e1genes innovadoras y simples, reflejo sensible de todas aquellas cosas que, por cotidianas, no consideramos dignas de admirar.
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Tina Modotti pertenece a esa generaci\u00f3n de artistas que entretejieron los hilos del compromiso con las causas que, en la primera mitad del siglo XX, se abrieron paso hacia nuevas formas de entender la raz\u00f3n de ser del hombre contempor\u00e1neo.
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M\u00e9xico causa un gran impacto en Tina Modotti. De la mano de Edward Weston se inicia en la fotograf\u00eda y entra en contacto con los artistas m\u00e1s destacados del momento, como los pintores muralistas Xavier Guerrero, David Alfaro Siqueiros y Diego Rivera. Poco a poco va elaborando un cierto tipo de reportaje fotogr\u00e1fico, de gran contenido est\u00e9tico en la forma y de un simbolismo ideol\u00f3gico en su referente. Pero la fotograf\u00eda para Modotti no s\u00f3lo supone una manera de vida, sino tambi\u00e9n el compromiso pol\u00edtico que le da utilidad y legitima su emergente proyecci\u00f3n art\u00edstica.
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Su permanencia en M\u00e9xico encuentra en pleno apogeo un movimiento intelectual y art\u00edstico constituido por la formaci\u00f3n de las vanguardias literarias, arquitect\u00f3nicas, pict\u00f3ricas y fotogr\u00e1ficas, entre otras que dotaron de nuevos sentidos las artes y las humanidades mexicanas, concret\u00e1ndose en obras art\u00edsticas y culturales de gran talla.
\u5979\u5728\u58a8\u897f\u54e5\u671f\u95f4\u9047\u5230\u4e86\u7531\u6587\u5b66\u754c\u3001\u5efa\u7b51\u754c\u3001\u7ed8\u753b\u754c\u548c\u6444\u5f71\u754c\u7b49\u5404\u754c\u8054\u5408\u53d1\u8d77\u7684\u4e00\u573a\u827a\u672f\u4e0e\u7cbe\u795e\u8fd0\u52a8\uff0c\u6b64\u6b21\u8fd0\u52a8\u8d4b\u4e88\u4e86\u58a8\u897f\u54e5\u827a\u672f\u4e0e\u4eba\u6587\u65b0\u7684\u610f\u4e49\uff0c\u8fd9\u4e5f\u4fc3\u4f7f\u5f53\u65f6\u51fa\u73b0\u4e86\u6781\u5bcc\u827a\u672f\u4ef7\u503c\u7684\u827a\u672f\u548c\u6587\u5316\u4f5c\u54c1\u3002<\/p>\n
Tina Modotti retrata la sociedad mexicana dando cuenta de las distintas clases e individuos que la formaban, diferentes son las motivaciones \u2013 comercial, afectiva y pol\u00edtica- constitutivas de su mirada, caracterizada adem\u00e1s por su modernismo est\u00e9tico: poses relajadas y una estrecha relaci\u00f3n l\u00fadica que se da entre fot\u00f3grafo y fotografiado y por ser una forma singular de capturar el car\u00e1cter y la personalidad del ciudadano que a su vez son de la colectividad.
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Revolucionaria en su vida y en sus ideas, Tina Modotti tambi\u00e9n fue de naturaleza franca, y es precisamente este rasgo de su car\u00e1cter, el que ha permitido obtener de ella misma la mejor definici\u00f3n de su trabajo: \u201cMe considero una fot\u00f3grafa y nada m\u00e1s, y si mis fotograf\u00edas se diferencian de lo generalmente producido en este campo, es que yo precisamente trato de producir, no arte, sino fotograf\u00edas honradas, sin trucos ni manipulaciones\u201d.
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\u585e\u9662\u4e00\u697c\u5c55\u5385\uff0c\u514d\u8d39\u5165\u573a\u3002<\/p>\n","protected":false},"excerpt":{"rendered":"
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